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From the parapet of the Old Town bridge tower, you can see the gentle S-curve that the architect Peter Parléř built into the viaduct to obstruct invaders, as well as a jaw-dropping panorama of the city.

This statue will cause double-takes among students of Hebrew. According to a nearby apologia, the words “Holy, holy, holy is the Lord of Hosts” were added in 1696, paid for by a local Jewish man who had been accused of profaning the cross.

Halfway across the bridge is a brass cross where John Nepomuk’s body was thrown into the river (see St John of Nepomuk). It is said that if you wish on the cross the wish will come true.

Rubbing the brass relief of the saint shown diving into the river is an old tradition, thought to bring good luck; petting the adjacent brass dog is a new one.

Greek missionaries who brought both Christianity and the Cyrillic alphabet to the Czech lands, Cyril and Methodius are national heroes to this day. Karel Dvořák created this statue in 1928 at the peak of Czechoslovakia’s period of National Awakening, following independence.

Peer over the bridge’s southern edge to see the Czech’s answer to King Arthur. Bruncvik and his army are promised to awaken and save Prague at the city’s most desperate hour.

The portrait of Mary hanging on the house south of the bridge is tied to an ancient tale of miraculous healing. Seeing the light go out on the balcony below is supposedly an omen of imminent death – don’t stare too long.

Matthias Brauns’ 1710 depiction of a blind nun’s dream, in which the crucified Christ permitted her to touch his wounds, retains a timeless appeal.

One of many artists selling work from the bridge, Antonin paints portraits of himself as the devil. His proximity to the Čertovka (Devil’s Canal) may be the key.

This religious order was set up to ransom prisoners of war from the Crusades and buy Christians back their freedom; hence the bored Turk guarding the cell.